Abstract Nationalism is an ideology embraced by people upholding a strong belief in the values and unique qualities of their own nation and thereby in the process asserting their superiority over other nations. This superiority feeling of the people is grounded in the shared religion, ethnicity, language, culture, or shared values. Nationalism as an ideology makes it possible for millions of people who have never and will never meet each other to care about each, to share a common goal, to kill and die for each- thus, it can be said that Nationalism as an ideology finds its existence in the minds of the individuals, in the symbolic imaginations of the people that creates a feeling of belongingness. This paper talks about the origin of the concept of ‘Nationalism’ as a political and cultural phenomenon. Most research studies have looked at Nationalism as a political phenomenon, but the interrelation of Nationalism and culture has been emphasized since Benedict Anderson’s work on Nat
Mapping the development of Television in India Abstract The article traces the journey of Television in India which started as a tool of educating its mass on a variety of themes like family planning, conducting educational programmes, serving as an effective tool for ‘nation integration’ to shifting its attention towards entertainment with advertisers realizing the potential of television to reach a broader audience hence, commercialisation of television becomes inevitable. Doordarshan- the public service broadcaster enjoyed the monopoly in the Indian television market however, drastic changes took place in the media landscape with the advent of private channels transcending geographical borders- global content reaching to the hooks and corners of the Indian household. The article aims to look at the transition in the media landscape with the implementation of liberalization policies in 1991. The article also aims to contextualize Marshall McLuhan’s concept of ‘medium is the messag